Thursday, September 22, 2011

Why Hip Hop DJs Are Selfish(Secret to Co-op in the Art of DJing) Pt.3

Let me ask you readers a trivial question, what is the suggested solution to better co op with other DJs? The answer lies in the last word of paragraph 2 in my last article. "Shared !?!?" Many of you are probably confused by such choice of words. A skill can't be shared! Of course it can't, but the hint is: what does it take for a band to be a band?


Here we have the World Famous Beat Junkies and here they demonstrate how to collaborate as DJs. While we find this highly entertaining, to note the least it also takes some form of cooperation. Yes ladies and gentlemen DJ bands do exist, and the work it takes to join different forces together means undivided teamwork. Just like any teamed sports you take different roles/positions and follow through. That is my biggest hint in the secret to co-op in the art of DJing. You can do your best in a single player field but to work with others there must be communication and a certain etiquette. And it all falls on those individual's attitude.

Most likely you will encounter those who have a good amount of experience already, or you will introduce some one new to this wonderful world. In my case I've experienced both. Since my startup I had a strict coach about mixing, and I've influenced a few to the world of scratch. While like most teachers both my coach and I have one thing in common - the mold we placed ourselves into to grow we intend to place it on another. Liberally speaking, it's restrictive and linear. But discipline wise it certainly helps to get the basics. Like any other forms of musical training, turntablism requires as many skills as any violin players would need. Until we have the basics down, we would not have an easier time in the progression through normal sessionings. Think what you will, but if we are the new generation to continue to prove that we can turn turntables into instruments, we must prove that we are capable to withstand the test of skills.


This impressive clip is from the movie "Scratch", and it is a wonderful documentary about turntablism because we are given a grand introduction. Within the movie we would see many individual DJs as well as groups and some brief showcasing of their performances. What it takes for DJs to be DJs and for DJs to work with each other is that DJs know (in some way) how to manipulate music or audio. While for DJs to work together is by not trying to be selfish in his/her performances or sessions. Of course through different skills and purpose comes the difference in the will to collaborate. Because if you are in a club, chances are you don't want to lower your ratings by trying to collaborate because it makes you much less desirable to be hired. However in Hip Hop - a part of the general definition for it means: it is the culture to share, expand, and have fun in it's appreciation and development. To say you are part of Hip Hop means its as if you've taken an oath for the responsibility as well. Of course I'm being a little too serious or too sarcastic about the subject, all in all why this secret is a secret is because we know it by instinct and subliminal thoughts. But the very fact that we people do not practice or reach a higher understanding of this matter is the same as to neglect in ignorance.


So to generalize even further in my opinionated review, DJs or "Disc-Jockies" are known for their knowledge and skills in manipulating music/audio. Turntablists intend to use music/audio on turntables as an instrument. Individually we work for a better solo performance while to hone our skills, and together we work to further demonstrate our combined efforts for a better display. We Hip Hop DJs are selfish because we believe in the security for recognition of our rank through competition. And the secret to smoothly collaborate our DJ efforts is to NOT be selfish because our efforts & results are shared. The world of Hip Hop is probably the one of the most liberal subculture/culture in the world, well... depending your purpose. You could always improve and you can always humble yourself to learn. Humility is another art, but perhaps the least obvious yet most useful virtues. You would do well to listen and learn and expand while the learning opportunity is available, and it would be easier if you care to share yourself through humility.

Why Hip Hop DJs Are Selfish(Secret to Co-op in the Art of DJing) Pt.2

So any way continuing our quest to understand why Hip Hop DJ are selfish, another reason being is that when playing WITH music (Note: not only pressing the play button) there are different styles in how music can be manipulated. Having said that there are different styles that exist, the mentality of choosing what music to play is completely different than even your closest friend. No surprise here, because everybody is different. But it is because of that difference, it is the one of the main reason why Hip Hop DJs couldn't work with each other.


QBert + Kid Koala - Mayhem at the Mid from React Presents on Vimeo.


Just a recent video post I found through recommended, but for those unfamiliar with Qbert (or respectably Grand-mixer Qbert) he is known for his precision and variety of scratches as a turntablist. His credentials is his ability to out perform many other turntablists but just like breakdancing - even if you are SPY - "man with a thousand moves" there are many other b-boys that are just as good through other styles. The other turntablist Kid Koala is known for his skills through precise manipulation of turntables to turn those tools into instruments. Two seemingly unrelated in their skills and level working together. It's definitely easier discussed than done. Mainly because we live in a "Me Me Me" world where everybody wants to make their OWN mark. Well, from experience I can certainly tell you that it's easier to focus and improve without collaboration, but it's hard when you don't have some one to compare notes with. This principle goes to the philosophy of "Everybody's gotta have friends, because having friends just makes life more fun." Any way, philosophy aside they can work together because they are able to communicate before actually working together, most Hip Hop DJs only want to perform what they excel most and that often leads to the lack of understanding and compromising for another. Little do most of us know that the tricks and skills we do best can be "shared".

Following the path of individualism is what makes us who we strive to be, because there are less distractions to deviate us. But co op reaps many benefits both in the short and long run. I have met many DJs who claims truth to their status of popularity and efforts. But at the same time they either lack skill or understanding of true art of DJing. Although knowing two sides of a coin, the definition for the art of DJing is ever shifting because of it's purpose and ideals. A mobile DJ does not need to scratch because his/her job is to serve the public, a club DJ does not need to understand turntablism because their audience desire only the music. In short, different discipline leads to different focus and efforts, because the similarity ends with the general use of audio for an audience.

Next on Secret to Co-op in the Art of DJing Pt.3
To be continued...

Tuesday, September 20, 2011

Why Hip Hop DJs Are Selfish(Secret to Co-op in the Art of DJing) Pt.1

Ever since I've been exposed to DJing I've been dragged into the world of "sessioning". Most of you music appreciators would say, "Sessioning? DJs can jam?" As history goes, as soon as DJs are introduced to the world of turntablism brought to you by the DJing art of Hip Hop. Sessioning was a very popular activity among DJs because it is fun, competitive, and mainly it is a way to compare notes in improving skills for turntablists. However many DJs today are either united through the Scratch Academy of NYC or the Skratch University of Thud Rumble online. In my opinion saddens me that I must pay money to an art that used to only requires the equipment and time to learn this skill. The price to buy all the equipment today is already an ugly fee, let alone paying more money to learn it. It's great when you have money but there comes a time when Hip Hop started from being poor and saving up money only to get the cheapest gear from pawn shops. Back then it was all parties, sessions & battles. What happened to them?



But going back to my main point why Hip Hop DJs are selfish, there are many reasons but mainly because in Hip Hop there is a different form of ego similar to MCs or rap artists. The pride of an MC shows in their lyrical contents, which is a more direct approach, but DJs cannot directly tell the tales of their struggles. Therefore DJs' pride are shown in their skills and the music they choose to play. In a general understanding, DJs aren't normally designated to play music with another, in fact - an individual alone by the music appreciator's standard should not even have more than 1 turntable! Here's an early example:



Hahahaha, that was fun. Such jokes aside, we should always consider that while battles and parties are ever important, sessioning is also another important activity of DJing, because it creates new tracks and it sharpens our ever itchings skills. But sessions can be in different fashions, be it the Qbert's Octagonal scratch session or DJ Moppy's Cut on Kutz sessions (http://www.ustream.tv/channel/cutz-on-cuts) it is all part of an individual's contribution. However with the mentality of DJing today, when you mention the words "DJ" your audience are most likely have an image of DJs in radio stations or mobile DJs that work for entertainment companies. Right or wrong, those (again by example) only act as individuals. This only contributes more to the death of sessioning because nobody wants to have fun piecing tracks together. You can only go far by yourself in the art of hip hop, but when you piece another style to the art - it's like magic! Or it can sound like shit and be frustrated about it, but THAT is all part of the journey in DJ sessioning.

I've been very fortunate to have public battle experiences in my early exposure in DJing, more than anything I crave for more battles to fill the bloodthrist, but as my cousin or any one in NJ says "Being a DJ in NJ is a slow death..." I intent to prove that statement wrong, so any of you readers want to battle, or know of some one who would like to battle or session. LET ME KNOW. Let us take part in this activity together and alone no longer!

Next on The Secret To Co-op In The Art of DJing
Pt.2 to be continued...

DJs? WHAT IS IT?

Damn once again I've been neglecting my own hip hop blog for awhile, but honestly I've been doing a bit soul searching, and studying of hip hop around here & there. But the truth is I still have no conclusion to who, what, where, when, & why "Hip Hop" is "Hip Hop"? So moving forward towards my point today...

When it comes down to hip hop, more specifically one of the 4 elements - "DJing" in Central NJ. Unless you're in the inner circle(like any where else) you can't really get much exposure to the REAL idea about "DJing" because no one is around to tell you about it. Especially when you're so close to the big apple, really... the real of arts of hip hop isn't really exposed let alone DJing. This form of art has be so degraded by today's standards (kids/yound adults today) it's really hard to tell most people who enjoy music DJing is hard. It's definately easier to tell people they're wack than explain to them what DJing really means.





First up for the hate, we get hipsters. Takes one to know one, so to say the least I'm the worst kind, because I'm always true to my words. One of my reason to be a DJ is no different than the any musician out there, it is to get better with my craft so I can hope to challenge those in the lead. But we get hipsters who always claim they are who they are when they DO NOT practice the art. It's no surprise everybody's a DJ since they know how to play music, but music is as easy as being played by a press of a button. The real skill is the ability to manipulate and/or use songs in a fashion that you can use in different scenarios. Mainly in short (I will try to explain more about each later...) the skills of DJing are tested through parties/events, production, sessions, and battles.

If you do all the above or at least some of the above, that's great. In parties/events I don't hate on playlists because it is what I am weak at the most and in all honestly that fits the events. But you CAN NEVER call your self a DJ if you DO have a playlist on itunes or windows media player and play them in an AUTO CROSSFADE. Specifically you cannot fade one song into another random unrelated song because it is NOT apart of the art of DJ.



This is by example an outrageous attempt but it should bring you the idea of a session, when "you" a DJ that sessions, should be like one of the few turntables in the video above - a contributing factor. Unfortunately the lack of healthy DJ exposure makes the art of sessioning a dying practice.

Production... well... that's another story for another blog.

But for now the ones who read this should understand that being a DJ isn't hard, but being good is never easy.

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